エンジェル

The way Roger captures the mood of South London's outskirts feels so genuine—you can almost hear the quiet hum of the city in the background. I've had it up for two weeks now and I still catch myself stopping to look at it every time I pass by.

The brushwork on this piece has a quiet, lived-in quality that makes it feel more like a memory than a painting. I keep noticing new depth in the shading every time I walk past it. It's exactly the kind of calm focal point my hallway needed.

I hung this over my sofa and the soft grey tones bring a calm energy to the room, exactly what I needed. The texture of the paint is more dimensional in person than photos show.